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Showing posts from May, 2008

Horror Classic 20 of 50: THE VAMPIRE BAT

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The Vampire Bat is yet another film from a "poverty row" studio -- Majestic Pictures, this time. It features Fay Wray, which is cool, because I don't think I've ever seen Fay Wray in anything besides King Kong , in which she spent about half the film screaming. How much screaming does she do in The Vampire Bat ? Let's find out. Synopsis Our characters live in a village that's facing a major threat . It's not a new Wal-Mart, it's the fact that people keep getting killed, mysteriously, their corpses drained of blood and bearing two marks on the neck. Could it be a VAMPIRE BAT ? The title of the film would certainly seem to make that a likely possibility, and it's the theory held by most of the men of the town, including the bürgermeister . What is a bürgermeister, anyway? I think I'd like to be one, because I'd like to have that word on my business card, but I should probably find out what they do before I go to bürgermeistering school. Othe

Horror Classic 19 of 50: METROPOLIS

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First of all, a note for those of you who aren't familiar with this film: Metropolis is not a film about Superman's city of residence. Second of all, a question: What the hey? Metropolis , the silent German classic directed by Fritz Lang in the 1920s, has fallen into the public domain like the rest of the films on the 50-movie Horror Classics DVD set -- or at least, versions of it have. But there are two reasons I'm surprised to see it included here: 1. It's considered a genuinely classic film, a distinction not traditionally associated with the likes of The Mad Monster and The Invisible Ghost, and 2. It's not a horror film, and anyone who has seen it would know that it fits much more logically into the category of science fiction. Perhaps the folks at Mill Creek Entertainment are reading this right now, and perhaps they'll slap their foreheads and realize, "Of course this isn't a horror movie! What were we thinking! Let's take out an ad in a

Horror Classic 18 of 50: MANIAC (almost)

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This week's movie is Maniac , a 1934 movie that truly defines the phrase "a 1934 movie." Okay, I have a confession, for the two or three of you who check this blog regularly: I haven't watched Maniac yet. I really have no excuse; it's only 51 minutes long. Fifty-one minutes! I've taken longer to fold my underwear! So, I haven't been very good lately about sticking to the "update once a week, exactly on Wednesday evening" schedule, despite the large salary I make for writing this blog. But I'm really, really going to try to do better, and that's a promise. May mad monsters and atom age vampires strike me down if I'm lying! By the way, in the unlikely event that you hadn't guessed, that's not even a picture from Maniac up there. That's from the classic LucasArts adventure game Maniac Mansion , which has the word "maniac" in the title. Also the word "mansion," but I don't think there's a movie c

Horror Classic 17 of 50: THE MAD MONSTER

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One unexpected result of watching a bunch of cheap old horror movies is that I've developed a familiarity with the now long-forgotten studios that released them. On doing some academic research (i.e. clicking around Wikipedia), I've learned a little bit more about " Poverty Row ," which was the collective name given to all the tiny, low-budget studios who used to crank these things out. One such Poverty Row studio was Producers Releasing Corporation. They produced last week's Dead Men Walk , so I had a pretty good idea of what I was in for when I realized that this week's The Mad Monster , from 1942, was also unleashed on the world by PRC. But I watched it anyway. After all, I've come this far. I can't turn back now! Synopsis George Zucco of Dead Men Walk is back again, this time as Dr. Cameron, a mad scientist who lives in a big ol' house in some kind of swampy area. As the film begins, Dr. Cameron is the happiest mad scientist on the block , bec

No Werewolves on Tuesday

In case there's anyone checking this little ol' blog today: Don't forget, I've switched to a Wednesday evening update schedule. Mondays proved to be just too formidable a foe for me to vanquish, whatever that means. Come back on Wednesday for The Mad Monster!